Christina Colanduoni is a PhD candidate in Music History and Theory at the University of Chicago specializing in the transnational circulation of Italian opera. Her thesis examines the movement of opera and songs in the Greek-speaking Mediterranean, especially on the island of Kerkyra (Corfu), and the reception of Greek antiquity in the early-nineteenth century. Prior to beginning her doctoral studies, she received a B.A. in Music History from Temple University, and an M.A. in Musicology from McGill University. In her free time, Christina enjoys singing, playing tennis, and writing opera reviews for Parterre Box.